Tag Archive: new

Zangeki Warp


Steam Page || Developer’s Site

The warp mechanic in Zangeki Warp revolutionizes horizontal shmups to a degree on par with what Ikaruga‘s color shifting did for vertical bullet hells. On the surface this game looks much like other horizontal shmups and the R-Type influences in particular ring loud and clear, yet the ability to warp your ship around changes everything. The warp isn’t just there to save you from close calls, the entire game is build around it.

Aside from warping away to dodge bullets, you’ll constantly be asked to use it to circumvent solid obstacles and to obliterate enemies via the warp trail which your ship’s gun can’t reach. By the end of the game I felt like I was relying on this technique more than my bullets in combat and the final stages become very demanding indeed, even on Normal! Beyond the main feature itself, Zangeki Warp earns plenty of praise with significantly varied difficulty settings, a rather nice upgrade system, and exceptional enemy designs which gradually shift from standard robots and ships to creepy body horror-style monsters which would even make Abadox proud.
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A Robot Named Fight


Official Site || Steam Page

It’s an all-out war between the robotic residents of Earth and the endless spawn of a moon-sized glob of flesh in the sky called the Megabeast! I was skeptical of a Metroidvania roguelike because I generally prefer it when games with procedural generation only last about 30 minutes per run. However, while a successful run of A Robot Named Fight does indeed take about an hour, the game does a fantastic job of keeping things fresh by changing up the obstacles you encounter based on the powers you obtain. Sometimes this just amounts to adding in doors which require a certain type of weapon to open, but it also means things like adding in dark rooms if you get a light source and high barriers if you get a jump upgrade. It’s delightfully gross, surprisingly varied, and an all-around awesome game about becoming fight enough to take on cosmic abominations.
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Demo – Flynn: Son of Crimson


Kickstarter Page || itch.io Page || Developer’s Site

This is a great little vertical slice alpha demo! If you’re unfamiliar with the term, a vertical slice demo is designed to show off various gameplay elements rather than showing off an area from the game. The demo for Flynn: Son of Crimson can be finished in under ten minutes, but it crams a whole lot of content into those few minutes. With four weapons, a utility item, standard action platforming, two enemy gauntlets, a stealth section, an auto-run section, and even a little bit of NPC interaction, not a single moment goes by without a new mechanic or technique being introduced.
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FAITH


itch.io Page

It’s October, and that means all sorts of indie horror games are going to start popping up just in time for Halloween. FAITH is one such game and it takes the retro aesthetic even farther back than usual with graphics inspired by the likes of the ZX Spectrum and plenty of computerized ‘voice acting’ that would feel right at home in an 80’s arcade game (Sinistar comes to mind). Starring a priest who has returned to the secluded site of a failed exorcism, FAITH wields its minimalism like a rather sharp knife.

This is a fairly short game, but it’s also a respectably dense game, packed with enough secrets, lore, and alternate endings to more than double your playtime if you want to see everything. Whether it tasks you with wandering through the woods alongside a retro rendition of “Moonlight Sonata” or creeping through a house in dead silence, FAITH knows how to use emptiness and absence to create constant tension.
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A Bright Light in the Middle of the Ocean


itch.io Page

Video games allow us to intimately interact with spaces to a degree unrivaled by any other medium. It’s a lesson I think most players learn eventually. It’s learned in that moment when we catch ourselves examining every discarded scrap of paper, every shadowy corner, and the contents of every mug and cup left on a table because we’ve been captivated by a world, whether it is wondrous or horrifying, and we desperately want to know as much about it as we can. I first learned this lesson at a young age via my Sega Saturn when Myst completely captured my attention with its melancholy, mysterious island, but every now and then a game like A Bright Light in the Middle of the Ocean comes around to remind me of it.
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